Our web-exclusive expanded coverage on Rogue One: A Star Wars Story continues with John Knoll. Jimmy Smits Talks ‘Rogue One’ – #StarWars /HfSNoZDbEI GTGNg8FEGSĪt the ? box office, ROGUE ONE has overtaken ìRevenge of the Sithî, adjusted for inflation. zuHdOwdD7pĬhirrut and Baze are one with the Force in Glyn Dillon’s #RogueOne concept art. Leg99LuOF5ĭiscover which #RogueOne alien wears an iPhone, and learn about a major comics crossover event on The #StarWarsShow. The Emperor is not as forgiving as we are. Visit #RogueOne‘s Empire sets in the latest Rogue Report. 23, followed by its Netflix debut on Dec. Johnson’s Glass Onion will get a limited release in theaters on Nov. Hey, maybe someone will make a Star Wars movie with that theme. Simply put, the struggle is far greater than the good or bad done by just one person. Even those who hate what Johnson did with Luke Skywalker in The Last Jedi can admit that his trilogy, whatever it might be, won’t corrupt the entire franchise. Just this year, we’ve had the nostalgia plays of Obi-Wan Kenobi and The Book of Boba Fett as well as the political theory debates in Andor, with the animated anthology Tales of the Jedi coming later this month. More importantly, the Star Wars universe has grown to encompass a wider variety of entries, thus making Johnson’s contributions less monumental. Hayden Christensen, once thoroughly mocked for his role as Anakin Skywalker, was cheered for his return in Obi-Wan Kenobi. Where Return of the Jedi was initially met with derision for its kid-friendly Ewoks and “mishandling” of Han Solo, it’s now an unavoidable part of the grand narrative. Moreover, Star Wars has shown a remarkable ability to reuse and rehabilitate even once-reviled parts of its franchise. After all, as divisive as The Last Jedi certainly is, it still made $1.3 billion at the box office. Really, it shouldn’t be too much of a surprise that Johnson’s movie is still on the table. Not only has Johnson turned his attention to the adventures of Daniel Craig’s Benoit Blanc in the movies Knives Out, Glass Onion, and an untitled third installment but Lucasfilm has been scaling back its big screen production slate, removing from its plans movies such as Patty Jenkins’ Rogue Squadron and pushing back Taika Waititi’s mysterious Star Wars movie.Īn earlier interview with Empire corroborates Johnson’s claims, as Kennedy assured readers that “we love him,” chalking the delay up to general business and a production schedule that requires them to “work three, five years in advance.” But over the past few years, it has seemed increasingly unlikely that the movies would make it to screens. Even after the movie arrived and launched years of discourse about whether the movie reinvigorated or desecrated George Lucas’ vision, Johnson’s trilogy remained on the books. In fact, Lucasfilm had so much faith in the direction’s vision back in 2017 that, shortly before The Last Jedi made it to theaters, producer Kathleen Kennedy announced that Johnson would be helming a whole new trilogy separate from the Skywalker saga. Love it or hate it, there’s no denying that Rian Johnson‘s second installment in the Star Wars Sequel Trilogy occupies a unique space in the public imagination, something that cannot be said for even The Rise of Skywalker. Yes, it is October 2022, nearly five full years after the movie’s release, and we’re still litigating The Last Jedi.
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